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Ranging from New York to Geneva to Paris, the diary presents an array of artists and their affiliates, from the Sitwells to Peggy Guggenheim (who had on her wall \"the messes signed Jackson Pollock\") and Djuna Barnes (with whom Ford had lived while she wrote \u003c\/span\u003e\u003ci\u003eNightwood\u003c\/i\u003e\u003cspan\u003e). Born in 1908, Ford made his first literary foray in the 1920s from his Mississippi home with Blues: A Magazine of New Rhythms, with work by Ezra Pound, Gertrude Stein, Erskine Caldwell and Paul Bowles. When he moved to New York, he collaborated with film critic Parker Tyler on what has been called the first gay novel, The Young and Evil, published in 1933 and banned in the U.S. and England. At 21 he joined Paris's expatriate community. His poetry books include The Garden of Disorder, introduced by William Carlos Williams, and Sleep in a Nest of Flowers, with a foreword by Edith Sitwell. He launched View magazine in 1940, publishing Marcel Duchamp and the first translations of Andre Breton's poems. 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In doing so, Lauren Jae Gutterman draws our attention away from the postwar landscape of urban gay bars and into the homes of married women, who tended to engage in affairs with wives and mothers they met in the context of their daily lives: through work, at church, or in their neighborhoods.\u003c\/p\u003e\n\u003cp\u003eIn the late 1960s and 1970s, the lesbian feminist movement and the no-fault divorce revolution transformed the lives of wives who desired women. Women could now choose to divorce their husbands in order to lead openly lesbian or bisexual lives; increasingly, however, these women were confronted by hostile state discrimination, typically in legal battles over child custody. Well into the 1980s, many women remained ambivalent about divorce and resistant to labeling themselves as lesbian, therefore complicating a simple interpretation of their lives and relationship choices. By revealing the extent to which marriage has historically permitted space for wives' relationships with other women, \u003ci\u003eHer Neighbor's Wife\u003c\/i\u003e calls into question the presumed straightness of traditional American marriage.\u003c\/p\u003e","brand":"ingram","offers":[{"title":"Default Title","offer_id":46594554232999,"sku":"","price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4032\/5287\/files\/IMG_0322.jpg?v=1740676577"},{"product_id":"the-dream-police","title":"The Dream Police by Dennis Cooper PB","description":"\u003cp\u003e\u003cspan\u003eWith each new novel, Dennis Cooper's reputation as the most daring and distinctive writer working in America today is cemented. To anyone familiar with this writer -- whom the New York Times calls \"taut, chillingly ironic,\" the Washington Post Book World terms \"brilliant,\" and the Village Voice deems capable of \"religious intensity\" -- it will come as no surprise that before he achieved success as a novelist, Dennis Cooper was best known as a poet. The Dream Police collects the best poems from five of his previous books and also includes a selection of new works. From his darkly erotic early verse to the more refined, post-punk poems that led critics to dub him \"the spokesman for the Blank Generation,\" to his later experimental pieces, Cooper's evolving study of the distances and dangers in romantic relationships has made him a singular voice in American poetry. The Dream Police is a vital addition to Dennis Cooper's riveting and disarming vision of life, love, obsession, and the depths of human need. \"There can be no doubt about the power and originality of Cooper's writing.\" -- The Washington Post Book World; \"Cooper's vision is at first intense, nearly minimal, then suddenly it ascends into vision.\" -- Kathy Acker; \"In another country or another era, Dennis Cooper's books would be circulated in secret, explosive samizdat editions that friends and fans would pass around and savor like forbidden absinthe. He would risk his life for them, or maybe he'd just be sent to a mental asylum, like the Marquis de Sade, to whom he has been compared. This is high risk literature. It takes enormous courage for a writer to explore, as Mr. Cooper does, the extreme boundaries of human behavior and amorality, right to the abyss where desire and lust topple to death.\" -- Catherine Texier, The New York Times Book Review\u003c\/span\u003e\u003c\/p\u003e","brand":"ingram","offers":[{"title":"Default Title","offer_id":46594723709095,"sku":null,"price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4032\/5287\/files\/IMG-2923.webp?v=1740683443"},{"product_id":"blood-and-guts-in-high-school-by-kathy-acker-pb","title":"Blood And Guts in High School By Kathy Acker PB","description":"\u003cp\u003eA masterpiece of surrealist fiction, steeped in controversy upon its first publication in 1984, \u003ci\u003eBlood and Guts in High School\u003c\/i\u003e is the book that established Kathy Acker as the preeminent voice of post-punk feminism. With 2017 marking the 70th anniversary of her birth, as well as the 10th year since her death this transgressive work of philosophical, political, and sexual insight--with a new introduction by Chris Kraus--continues to become more relevant than ever before.\u003c\/p\u003e\n\u003cp\u003eIn the Mexican city of Merida, ten-year-old Janey lives with Johnny--her \"boyfriend, brother, sister, money, amusement, and father\"--until he leaves her for another woman. Bereft, Janey travels to New York City, plunging into an underworld of gangs and prostitution. After escaping imprisonment, she flees to Tangiers where she meets Jean Genet, and they begin a torrid affair that will lead Janey to her demise. 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